当前位置:
首页 > 学习教程 > Maya和AE镜头跟踪和合成原理教程 Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects

Maya和AE镜头跟踪和合成原理教程 Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects

由Digital Tutors 公司最新出品的Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects教程,Maya2011和AE CS4镜头跟踪和合成原理教程。适用于电影摄影界、电视台、广告界、摄影界、音乐MTV应用等。
教程共76个章节内容,此提供第11-30章节的内容,后面的教程将陆续补上,请大家关注。
教程所使用的软件:Maya 2011, After Effects CS4

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects

在这一系列的教程中,我们将学习如何采取一些画面和移动整个MatchMover到Maya里,对管道建立一个完整的镜头。透过整个管线,我们将能够学习,每个应用程序之间和内部的具体问题,并提出有关建议和技巧
In this series of lessons we'll learn how to take some footage and move it through the entire MatchMover to Maya to After Effects pipeline to create a finished shot. By going through the entire pipeline, we will be able to learn about specific issues and tips and tricks while moving between and inside each application.

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects

We'll begin this project by solving four of our shots in MatchMover and combining them in Maya into a cohesive 3d scene. Then we'll create our last camera in Maya and match it. Once all our camera are set-up, we'll learn how to model our object, create dynamics, animate, texture and render our scene. We'll then jump into After Effects to do some color treatment on our backgrounds and then composite our layers together. Now, this is a long project that will take some time to complete. If you get stuck or have any questions, please join our forums and ask. We check the forums often and have a very active and helpful community.

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
1. Introduction and Project Overview

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
3. Creating a plan to keep our shots consistent for Maya

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
5. Manually tracking shot three

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
7. Creating the coordinate system for shot four

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
9. Integrating our various matchmoves into one scene

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
11. Creating low-quality previews in Composite for use in Maya

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
13. Hand-matching a camera inside Maya

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
15. Constraining a preview camera to move with our shots

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
17. Modeling the pyramid asset

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
19. Modeling the interior of the pyramid

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
21. Animating the second shot - Pyramid opens

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
23. Animating the emitters in sync with the doors opening

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
25. Keeping our nParticles in the pyramid and creating a vortex

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
27. Animating the goals on and off to create the transitions

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
29. Caching our particles and instancing geometry

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
31. Adding direct lighting sources

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
33. Using projection techniques to vary particle color by distance

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
35. Animating the particle ramp and beginning our table shader

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
37. Projecting our reflection map onto our geometry

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
39. Changing our Ambient Occlusion pass for the best results

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
41. Rendering with multiple cameras and fixing the preview cam

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
43. Creating a layer to output a particle matte pass

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
45. Doing final checks on render settings and batch rendering

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
47. Color correcting our shots for consistency in After Effects

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
49. Fixing shot 3 with color correction and Keying effects

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
51. Tracking the table and beginning the color correction in shot 5

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
53. Setting up our project and using EXtractoR effects

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
55. Combining passes to create a proper foreground alpha

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
57. Adding the reflection to our background

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
59. Lightwrapping and blurring to composite with background

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
61. Adding DOF using Lens blur and using Minimax to fix edges

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
63. Fixing the background ambient occlusion and the blurred mask

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
65. Creating an expansive ground shadow using existing images

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
67. Using the particle matte to color correct our particles

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
69. Converting Shot 2 to Shot 3 and fixing various issues

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
71. Converting Shot 3 to Shot 4 and fixing depth blurs

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
73. Converting shot 4 to shot 5 and fixing alpha issues

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
75. Making last minute color correction tweaks and fixing mattes

Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
2. Examining the shots and the footage
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
4. Manually tracking shot two
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
6. Manually tracking shot four
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
8. Manually tracking shot five
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
10. Continuing to integrate our shots together in Maya
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
12. Offsetting our cameras and image planes to play correctly
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
14. Matching the table orientation on shot 1 cam
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
16. Testing our matchmove inside Maya and fixing any issues
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
18. Extruding and Beveling our pyramid
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
20. Animating the first shot - Pyramid sliding across the table
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
22. Creating emitters for our nParticles
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
24. Adding Newton and Drag forces to draw our particles into the air
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
26. Creating the goal models for our particles
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
28. Using a Gravity force to create falling particles
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
30. Bringing in our HDR image for indirect lighting
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
32. Creating a material for our pyramid
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
34. Animating the particle projection to stay with our particles
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
36. Creating a clean plate and reflection map for shot 1
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
38. Setting up basic render passes and layers
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
40. Choosing the file type and frame buffer for compositing
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
42. Overriding render layers to render each camera separately
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
44. Creating the reflection height shader and pass
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
46. Dealing with mental ray® 'out of memory' errors
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
48. Using the Exposure and Curves Effects to CC shot 2
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
50. Reusing color correction effects to save time on shot 4
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
52. Using a luma keyer to finish shot 5
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
54. Combining our basic color passes and precomping
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
56. Using our Clean Plate to fix the shot 1 background
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
58. Cutting out the reflection and combining it correctly
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
60. Adding AO to the background and masking the foreground
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
62. Adding motion blur using our motion vector pass with RSMB
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
64. Using Keying techniques to fix depth in shot 2
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
66. Removing the visible markers using our own setup
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
68. Adding shot 2 motion blur and fixing our blurs to finish shot 2
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
70. Cleaning the background with masking and layering techniques
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
72. Using the Tracker to remove our Markers
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
74. Fixing the reflections by manually masking our layers
Maya和AE镜头跟踪和合成原理教程  Digital Tutors Match Moving and Compositing Pipeline in Maya 2011 and After Effects
76. Removing the shadow in shot 3 and viewing our

 

免费下载 地址: