《Premiere电影制片高级教程》FXPHD PRM202 Premiere Pro for the Filmmaker

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中文名称: Premiere电影制片高级教程
外文名称: FXPHD PRM202 Premiere Pro for the Filmmaker
资源分类: 教程 FXPHD PRM202 Premiere 电影制片
文件大小: 1.84 GB
资源格式: MP4视频格式 工程源文件
下载方式: 迅雷快盘+迅雷离线地址


《Premiere电影制片高级教程》FXPHD PRM202 Premiere Pro for the Filmmaker-图片1

本教程是由FXPHD机构出品的Premiere电影制片高级教程,大小:1.84 GB,教程使用软件:Premiere,作者:Tyler Ginter,语言:英语。

Premiere 一款常用的视频编辑软件,由Adobe公司推出。是一款编辑画面质量比较好的软件,有较好的兼容性,且可以与adobe公司推出的其他软件相互协作。目前这款软件广泛应用于广告制作和电视节目制作中。Premiere带来了“即时电影”(InstantMovie),可快速将多个视频片段制作成电影短片,而且还支持一键式、专业风格的色彩纠正和校准。利用内容感应面部追踪技术,再加上缩放、平移等过渡特效,以及“智能音乐”(SmartSound),Premiere Elements 10可以轻松把照片集转换成有声有色的短片。高清摄像机拍摄的AVCHD格式视频现在也能轻松导入了,并且能够直接刻录到DVD光盘上。如果你正在使用64位版本的Windows 7,软件性能也会得到明显的增强。

FXPHD PRM202 Premiere Pro for the Filmmaker
Recent releases of Adobe’s Premiere Pro have truly added more and more “pro” features to the software, opening up editors’ and artists’ eyes to the software. With that in mind, Tyler Ginter, professor of our Yellowstone DOP211 course, leads this production-based course which relates his real-world experience working on various jobs in the software.

The reality in today’s post world is that artists, editors, and other post pros have to work with R3D, Phantom, and DSLR footage all on a single job or even a single timeline. Ginter will be utilizing a variety and footage and formats to show where Premiere Pro excels on the job. The course will also include an honest appraisal of where it falls short and ways in which you can work around these shortcomings. Ginter has a great perspective, having used Avid and Final Cut Pro in the past, more recently has been using Premiere Pro due to its speed and flexibility in working with various types of footage.

This course serves as a perfect tandem to PRM201, our feature-based Premiere Pro course led by Tim Kolb. It’s not only applicable to editors, but graphics artists, compositors, and anyone who needs to work with the digital formats that are prevalent in the industry.

Class 1: Data Management/Organization – Prior to starting your edit you must have a good organizational workflow. As a result, part of being a great editor is also being a great DIT! We will cover how to organize your folders inside and outside of Premiere, additional applications and hardware that will enhance your workflow, and how to setup essential Premiere preferences.

Class 2: Customizing the Interface/Keyboard Shortcuts – We will cover the most essential parts of the interface and how to get around the application and customize it for editing. If you are more familiar with Final Cut or Avid I will try and point out what is the same and what is different. More importantly we will setup custom keyboard shortcuts. From here on we will be dealing a lot more with the keyboard instead of the mouse. Becoming a good editor also means becoming a fast editor and I will share with you my tricks on how to work faster with your keyboard.

Class 3: Model BTS Edit Part 1 – Interview – We will start from a blank project and work through the edit of a real world Behind the Scenes (BTS) model shoot for James Douglas Studio. I will teach you tricks on how to shoot for your edit, interview techniques/questions, how to edit down your interview, and how to developing the story while working through your edit.

Class 4: Model BTS Edit Part 2 – Audio – Audio is often the overlooked and normally done as an afterthought. We will be perfecting our audio from the edited interview and go over tricks on how to improve audio quality in your final edit. We will pick out a music track that fits the pacing and lock down all audio in our edit. Lastly, I will teach you how to get away from annoying audio keyframes using a more reliable and simpler to use technique.

Class 5: Model BTS Edit Part 3 – Timelapse – We will cover the easiest way to process a series of RAW photographs using After Effects and Premiere. Timelapse is great way to enhance your story and it will be a nice B-Roll edition for the Model BTS Edit.

Class 6: Model BTS Edit Part 4 – B-Roll – We will add all of our B-Roll to include the timelapse we processed from the previous week, NAT sound, and photos. We will perfect the flow of the story with visuals that match the interview and music.

Class 7: Model BTS Edit Part 5 – Graphics/Effects/Titles – We will add effects, design an intro, create lower thirds, and add credits. I will demonstrate how to use Dynamic Link to round trip between After Effects and Premiere to create graphics and text.

Class 8: Model BTS Edit Part 6 – Color Correction – We will grade the entire edit and establish an overall look using Colorista II. I will also show how to produce similar results using Premiere’s integrated color correction tools.

Class 9: Model BTS Edit Part 7 – Exporting/Project Manager – We will prepare our final edit for our client using Adobe Media Encoder to establish presets batch export several different high resolution and web versions. I will also cover the Project Manager and how to properly backup and archive your entire project for easy access later.

Class 10: Red Workflow/Stabilization/Time Remapping – I will show how to work with native Red Epic footage filmed using SnapRoll Media’s Remote Control Helicopter. I will cover how to color correct and edit this footage using the Red R3D Source Settings. Lastly, I will use Adobe Dynamic Link to send the footage to After Effects rr-sc.com to use the new warp stabilizer. Once the footage is perfectly smooth I will cover how to use the time remapping tools in Premiere.

《Premiere电影制片高级教程》FXPHD PRM202 Premiere Pro for the Filmmaker-图片2